Up early for a trip to the town of
Srikalahasti, which has an important temple to Shiva, but also has
kalamkari artists, which is why we're going there.
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Holi dyes already available |
It took us four hours to reach here,
and the journey in itself was interesting. Nice to get out of the
city and see the countryside. Hot in Srikalahasti, but lower
humidity, which made it feel more like California, and thus bearable.
We saw tons of mango orchards, but not in season yet, bitter melon
“yards,” peanuts and rice, plus lots of Indian goats, water
buffalo and cows. Also saw the Eastern Ghats, a rocky mountain range
in this part of India---although I would call them high hills.
Eastern Ghats rice in foreground |

Bus ride, although air conditioned, was
torturous, not to mention butt-numbing. Traffic was at times
miserable, plus we had to stop at the border of Tamil Nadu and Andhra
Pradesh to pay taxes based on the number of passengers on the
bus...interesting. More torturous though was the fact we had to do
it all over again to get back to the hotel.
Materials used in kalamkari:
white lump is alum, brown in
center jaggery (sugar) others
various plant materials
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Jonnalagadda Niranjan, a 5th generation artist |
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Detail, tree of life |
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Tree of life |
Pen work already done, and mordant
for madder (red dye) also done. Black
background being painted in with dye.
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Drawing the design, first with charcoal before pen work |
A religious panel, detail |
National award winner for kalamkari |
Adding mordant for madder |
Sorry about the order, but the program will not let me move pictures around as I like.
Can you imagine hand painting the fabric. Fantastic......
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